Wednesday 26 September 2018

THE BEGINNING OF EVERYTHING COLOURFUL by ONYEKA NWELUE



Most people are very comfortable sharing embarrassing secrets and painful memories with strangers. Most times, this is because they know they will likely never see these people again, and a stranger is less likely to pass judgement. That is the case of the two protagonist narrators in ‘The Beginning of Everything Colourful’.

The first narrator is a Mexican musician who hates the Spanish, and the other is a Japanese businessman who hates the Chinese. They meet at the waiting lounge in Doha International Airport, both waiting for a connecting flight to Tokyo. The two men decide to share intimate details of their lives. 

The Japanese own a flourishing restaurant in Lagos, but he is weighted down with family problems. He thinks his wife is considering infidelity, his son’s sexuality, obsession with 50 Cents, and his running around the streets of Lagos with a dangerous crowd is a problem. His daughter, Aiko, likes black men too much, and he is sure his family prefers his absence.

The Mexican musician, on the other hand, has lived many lives. He had a dysfunctional childhood, where his father cheated on his mother with a family friend. His parents divorced, and this resulted in a lack of parental care. He ran away with a Catholic nun, and also married his mother’s friend who became an alcoholic. She conspired with his sister, also an alcoholic, to commit him to a mental hospital. In Tel Aviv, he had to swim across a river butt naked to avoid deportation. These different experiences have left him with a mental health disorder and a restless search for inner peace.

Nwelue spins a good tale, taking the reader through different stories and cities; Paris, New York, New Delhi, Lagos, Tel Aviv and down to Tokyo. Nwelue gives a good description of his characters and translates their emotions appropriately through the use of multiple narrators. The reader may not feel a deep emotional connection to the characters because of the cerebral writing style. Both the Mexican and the Japanese take turns as first-person narrators, and an omniscient narrator pops up from time to time to shed more light on particular events. The lack of sequence in which the first narrator tells his stories may pose a problem to the reader.

The plot consists of two strangers spilling their guts in a monologue-style conversation. The theme involves everything from; race, religion, culture, politics, parenting, sibling rivalry, etc. The author writes the book in accented English (Spanglish and ‘Japalish’), the use of these accents in the telling of the story, although quite creative, had a few inconsistencies which may also pose a problem of comprehension to readers.

The author makes a cameo appearance at the Doha International Airport, and onboard the flight to Tokyo, where he introduces one of his other books ‘The Abyssinian Boy’ to his seatmate. This scene was an unnecessary part of the story, and the author should probably have left it out.

This book may not be a favourite among readers. It is different and intriguing, but if you can get past the initial confusion with the accents, you may find it quite enjoyable.


Rated 6/10

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